Info text: MUSIC IN THE FIELD OF PHYSIS AND OU-TOPOS THE VISIONARY AS A COMPOSITIONAL PRINCIPLE Christian Morgenstern describes the “Gallows Brother” as an “enviable intermediate stage between man and the universe”. Michael Quell's music calls us to this non-place between worlds. In φαντασία – let the molecules race (2016) for soprano and speaking pianist, for example, he sets one of the gallows songs to music with the call: […]