Info text: PRAISE OF PERSPECTIVE It is certainly no coincidence that Martino Traversa almost exclusively associates his compositions with sensory impressions. In Manhattan Bridge 4:30 am there are visual-spatial impressions, visual-acoustic ones in Bianco, ma non troppo, exclusively visual ones (with allusions to painting) in Quadrato bianco, su sfondo bianco, and finally purely sound ones in Dopo il respiro and Rimane , l'eco. In these cases […]