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Jörg Widmann: Piano Works

Info text: PIANO WORKS BY JÖRG WIDMANN The conversation with Jörg Widmann was conducted by Markus Fein. Let us open the conversation with the oldest piano composition on this CD, the “Fleurs du mal” from 1996/97. No careful approach to the traditional genre of piano music. It seems to me that they are going all out and looking for the [...]

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Josef Tal, Tzvi Avni, Gil Shohat: Piano Music from Israel

Info text: PIANO MUSIC FROM ISRAEL The works on this CD were composed in Israel between 1945 and 2001. They span an era that dates back to before the founding of the state and extends into the recent past. They were written by composers from different generations. Josef Tal, 1910 in Pinne (today: Pniewy) not far from Posen (today: Poznán) as a son […]

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Andreas Dohmen, Saed Haddad, Lars Petter Hagen, Wolfgang Mitterer, Wolfgang Rihm, Rebecca Saunders, Iris ter Schiphorst, Hans Thomalla: Donaueschinger Musiktage

Program: SACD 1 Wofgang Rihm (*1952) [01–03] “Séraphin” Symphony for ensemble and large orchestra (1993 / 2011) 49:34 [01] 22:52 [02] 19:41 [03] 07: 00 World premiere • Work commissioned by SWR Ensemble musikFabrik SWR Sinfonieorchester Baden-Baden and Freiburg Emilio Pomàrico, conductor Lars Petter Hagen (*1975) [04] To Zeitblom for Hardanger fiddle and orchestra (2011) 17:24 World premiere • Work commissioned by SWR Gjermund Larsen, […]

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John Cage: Darmstadt Aural Documents Box 2 John Cage—Communication

Info text: DARMSTADT AURAL DOCUMENTS John Cage in Darmstadt 1958 "The really great masters, and Cage was one, you can't just ignore them, you can't walk around them, otherwise you'll get lost." Hans G Helms, 2008 Late summer 1958. For the first At the Darmstadt Summer Courses for New Music, which took place that year in Heiligenberg Castle […]

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Thomas Blomenkamp: Orchestral Works - Chamber Music - Piano Music

Info text: “Raming Order” – Music by Thomas Blomenkamp “The maxim applies: no ideology of any kind, no dogmas, no fixed aesthetics. Music should be created that lasts for its own sake and is able to move, attract and/or unsettle the attentive listener, or at least not leave them indifferent." This is how Thomas Blomenkamp describes his […]

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Johann Sebastian Bach, Claude Debussy, Camille Saint-Saëns, Wolfgang Amadeus Mozart, Richard Wagner, Sergey Rachmaninov, Pyotr Ilyich Tchaikovsky, Maurice Ravel: Transcriptions

Info text: Transcriptions "Four hands, once again" (with a wistful emphasis on one) was the title of Theodor W. Adorno's text that he wrote in the year of disaster 1933 for a December issue of the Vossische Zeitung and in which he said goodbye to a music-making practice that Part of his childhood and youth was: playing four-handed at home “on the piano as a piece of furniture” […]

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Ondřej Adámek, Aaron Cassidy, James Dillon, Brian Ferneyhough, Vinko Globokar, Georg Friedrich Haas, Philippe Manouri, Alberto Posadas, Simon Steen-Andersen, Marco

Program: SACD 1 total time 59:14 James Dillon (*1950) String Quartet No. 6 (2010) World Premiere · Simultaneous Performing Work commissioned by SWR [01] Arditti Quartet 16:21 Irvine Arditti, violin · Ashot Sarkissjan, violin Ralf Ehlers, viola · Lucas Fels, cello [02] Quatuor Diotima 13:25 Naaman Sluchin, violin · Yun-Peng Zhao, violin Franck Chevalier, viola · Pierre Morlet, cello [03] JACK Quartet 14:00 Christopher […]

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Wolfgang Rihm, Ernst Toch: Concerto in one movement – ​​Concerto for Violoncello and Chamber Orchestra

Info text: Cello concertos by Wolfgang Rihm and Ernst Toch When I received the offer to take on the solo part at the German premiere of Wolfgang Rihm's new cello concerto, I was thrilled. What an honor to be able to almost “launch” a fresh work, what a challenge to rehearse the extremely difficult part – […]

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Fabian Panisello, György Ligeti: Piano Etudes

Info text: Fabián Panisello – György Ligeti Piano etudes The etude is originally a conceptually reduced composition that has a didactic purpose in particular and confronts the instrumentalist with a technical problem. A character that is both virtuosic and mechanical are the defining characteristics of the numerous etudes published at the beginning of the 19th century (Anton Reicha, Johann B. [...]

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Wolfgang Amadeus Mozart, Franz Liszt, Béla Bartók Concerti I

Info text: MOZART – LISZT – BARTÓK The three pieces on this CD were composed by virtuoso piano-playing composers for piano partners: for sister, student, wife. These women were obviously emancipated in their profession - judging by the pianistic difficulty of the pieces, the authors certainly did not count on a weaker gender. In 1922, 19-year-old Ditta Pásztory came to […]

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John Cage: ONE-ONE2-ONE5

Info text: Timing by Numbers John Cage's "Number Pieces" for piano Almost the entire output of John Cage's work in recent years (1987-92) consists of the so-called Number Pieces. The title (a written number) simply refers to the number of performers. Where there are multiple pieces for the same number of participants, the additional numbering indicates […]

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John Cage: ASLSP

Info text: John Cage: ASLSP How slow is “as slow as possible”? John Cage composed ASLSP for solo piano in 1985. In July 1987, at the suggestion of organist Gerd Zacher, he undertook the legendary arrangement for organ entitled Organ 2/ASLSP. ASLSP stands for “as slow as possible”. These playing instructions have informed the performers [...]

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