infotext:
Erhard Grosskopf: As a composer, I am like an architect who builds a house for the music and hopes that the music will move into this house - not like the content into the form, but like the spirit into the soul.
A musical score is usually notated in such a way that we can read the sounds vertically and the time horizontally, with a wide variety of signs and methods. The organization in bars and the progression in clearly felt beats have led to an idea of music in which the events of the sound are drawn up as if on a string of time.
In order to get a completely different idea of music, one only has to imagine a situation in which sounds are placed at different points in a room without any clear temporal change, so that the music that may be created does not pass our ears, but we immerse ourselves in it move her like in a room.
program:
[01] 27:39 p.m String Quartet No. 3 Op. 50 (1997/98)
[02] 17:28 p.m String Quartet No. 1 Op. 30 (1983)
[03] 20:17 p.m String Quartet No. 2 Op. 42 (1990)
total: 69:41
Irvine Arditti, violin
Graeme Jennings, violin
Dov Scheindlin, viola
Rohan of Saram, cello
Press:
10.2007
08.2007
