Helmut Oehring: ANGELUS NOVUS II

17,99 

+ Freeshipping
Article number: NEOS 11700 Category:
Published on: March 25, 2017

program:

Helmut Oehring (*1961)
ANGELUS NOVUS II
Collage instrumental-vocal mis-en-scène (2014)

[01] Intro (Insert 1: Music & Media Art) 00:48
[02] PROLOGUE – Arrival / Farewell 1 09:32
[03] Passage Ia Berlin 1921 / Ibiza 1933 01:15
[04] Farewell Chamber / Darkroom 1 (Insert 2: Karim Younis) 03:28
[05] Passage Ib Berlin 1921 / Ibiza 1933 25:58
[06] Passage II Marseille 1932 / Nice 1933 (Insert 3: BOV: Michael Harenberg, Daniel Weissberg, Ernesto Molinari) 00:35
[07] Passage III Paris 1939 / Port Bou 1940 20:33
[08] EPILOGUE - Arrival / Farewell 2 03:21

Total playing time: 65:34

 

VERTIGO Ensemble Bern University of the Arts
Helmut Oehring, composition
Stefanie Wördemann, concept & libretto
Lennart Dohms, conductor
Benoit Piccand, Beat Müller, Samuel Gfeller, live audio
Mirella Weingarten, staging
Angela Koerfer- Bürger, stage direction

A stream of the complete performance is available on helmutoehring.de and lowmusicproduction.com

Recorded live at Dampfzentrale Bern, January 24–25, 2015
Recording engineer: Benoît Piccand

Press:


12 / 2018

In the category Sound carrier balance 2018 Under the heading “Anniversaries, rarities and archive treasures” Hans Dieter Grünefeld writes:

Helmut Oehring staged vocal parts, chamber ensemble, rock and jazz band for the complex multimedia collage “Angelus Novus II” in memory of the escape from Nazi persecution and the suicide of the philosopher Walter Benjamin. Even without a backdrop, the music is three-dimensional, because its design outlines the existential distress through memorable changes in sound/noise mixtures, grooves and improvisations and, above all, dynamic contrasts.

 

09 / 2017

“Everyone who takes part here should look for and try something that he or she may not have done before in their life. In order to tread on this black ice of shock, of the new, of the fragile." In relation to Helmut Oehring's "Angelus Novus II" everyone is called: students and lecturers from the Bern University of the Arts, the VERTIGO Ensemble, a jazz trio, opera singers, Chamber choir, speakers (including David Moss), dancers and media artists who were connected by a collective work process. The visual aspect of this “collage instrumental-vocal mis-en-scène”, which revolves around Walter Benjamin and Paul Klee, is naturally neglected in the CD medium, but the musical intensity of the UA from the Dampfzentrale Bern (2015) inspires its own associations all the more . A haunting placelessness hovers over these sound images filled with suggestive text fragments and original tones.

Dirk Wieschollek

 

#5 2017

“Over long stretches, the work unfolds as a discourse comparable to radio art, held together by the common thread of Stefanie Wordemann's libretto collage of texts by Walter Benjamin as well as by soloists such as David Moss (voice), Kai Wessel (vocals) and Matthias Bauer ( Double bass) combines different instrumental, vocal and electronic elements into a mosaic-like ensemble of notated and permeable parts that are open to the performers. There is a suggestive crackling sound, voices cautiously groping for words, joining together to form clouds of sound, sounding manipulated or being overgrown by instrumental layers , all of this surrounded by delicate musical weaves or cut up by brutal energetic sound wedges.”

Stefan Drees

 

Item number

Brand

EAN

Cart

Receive exclusive news and discounts with our newsletter!

X